Sharing the Bounty
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The Encore II Edition is an unsigned, unnumbered print with an image size of 10-1/2” x 18”.
This print is custom framed for you and usually ships within 10 business days.
Encore II open edition art print made from the original oil painting. Image size, 10-1/2″ x 18″.
Framed size 22-1/2″ x 30″ with 3″ dark walnut finished pine moulding. Deluxe framing option with faux textured earthen brown outer mat and brass nameplate.
A limited edition is a reproduction of an original work of art that is most often signed and numbered by the artist and the total number of prints is fixed or limited.
Certificate of Authenticity
Limited edition of 960 signed and numbered prints
We are pleased to share a very special opportunity with Terry Redlin fans and collectors. The Redlin family has made their personal collection of limited edition prints available to the Redlin Art Center. Ever since his very first print was released, Terry saved for his own archives, a print from each of his editions. In fact, sometimes, he would save a few so that he would have them for his children, too. Now, since he has officially retired, he and his family have decided to make some of these rare and special editions available to the public. These prints are numbered and hand-signed by Terry Redlin and are part of the original edition. They have never been sold, but have been carefully stored for safe keeping by the Redlin family. Today, as part of their ongoing support of the Redlin Art Center, they are making some of these prints available for purchase. The Redlin Art Center would like to extend a special thank you to Terry Redlin and the Redlin family for making it possible for us to share some of these rare and collectible pieces of art.
Year Painted: 1981
Year Published: 1981
Selected Options
Material: Paper
Signed: Yes
Edition: Limited
Framed: No
Image Size: 25”×16.5”
Artist's proofs are additional prints not included in, but of the same quality as, the regular limited edition. In a print edition, artist's proofs are the first prints to come off of the printing press. Artist's proofs are distinguished by the abbreviation AP and are numbered separately; they often represent 10 percent of an edition and are slightly more expensive than prints in the regular edition. Artist Proofs are most often signed by the artist.
Certificate of Authenticity
Artist proof edition of 96 signed and numbered prints
We are pleased to share a very special opportunity with Terry Redlin fans and collectors. The Redlin family has made their personal collection of limited edition prints available to the Redlin Art Center. Ever since his very first print was released, Terry saved for his own archives, a print from each of his editions. In fact, sometimes, he would save a few so that he would have them for his children, too. Now, since he has officially retired, he and his family have decided to make some of these rare and special editions available to the public. These prints are numbered and hand-signed by Terry Redlin and are part of the original edition. They have never been sold, but have been carefully stored for safe keeping by the Redlin family. Today, as part of their ongoing support of the Redlin Art Center, they are making some of these prints available for purchase. The Redlin Art Center would like to extend a special thank you to Terry Redlin and the Redlin family for making it possible for us to share some of these rare and collectible pieces of art.
Year Painted: 1981
Year Published: 1981
Selected Options
Material: Paper
Signed: Yes
Edition: Artist Proof
Framed: No
Image Size: 25”×16.5”
The Museum Canvas is an open, unsigned canvas edition that replicates the look and feel of the original at a more affordable price with an image size of 23” x 39 ¾”.
Certificate of Authenticity
Material: Canvas
Signed: No
Edition: Museum
The Museum Canvas is an open, unsigned canvas edition that replicates the look and feel of the original at a more affordable price with an image size of 23” x 39 ¾”.
Certificate of Authenticity
Framed size 34″ x 51″ with stacked 3″ rustic matte-finished outer moulding, 2″ black satin inner moulding, 1-1/4″ natural linen liner and brass nameplate.
Description
White-tailed Deer, Golden Corn and Ring-necked Pheasants
Years:
Painted: 1981 Published: 1981
The setting for this unique encounter was witnessed by a friend of the artist on a quiet fall afternoon. Both the pheasants and the white-tailed deer have discovered the faulty make-shift corn crib. They keep a wary eye on one another, but apparently feel any potential trouble is secondary for as long as the corn holds out.
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