Leaving the Sanctuary
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The Horizon Edition is an open edition print created by highlighting a portion of a larger Redlin image in a horizontal format. Image size: 8-1/2” x 27”.
This print is custom framed for you and usually ships within 10 business days.
Open edition art print made from the original oil painting. Part of the Horizons Collection of horizontal, open edition prints, excerpted from previous Redlin releases. Image size, 8-1/2″ x 27″. Framed size 18″ x 36-1/2″ with 2″ gallery black-finished moulding. Double matting with faux textured earthen charcoal outer mat with special mat cuts.
A limited edition is a reproduction of an original work of art that is most often signed and numbered by the artist and the total number of prints is fixed or limited.
Certificate of Authenticity
Limited edition of 960 signed and numbered prints
We are pleased to share a very special opportunity with Terry Redlin fans and collectors. The Redlin family has made their personal collection of limited edition prints available to the Redlin Art Center. Ever since his very first print was released, Terry saved for his own archives, a print from each of his editions. In fact, sometimes, he would save a few so that he would have them for his children, too. Now, since he has officially retired, he and his family have decided to make some of these rare and special editions available to the public. These prints are numbered and hand-signed by Terry Redlin and are part of the original edition. They have never been sold, but have been carefully stored for safe keeping by the Redlin family. Today, as part of their ongoing support of the Redlin Art Center, they are making some of these prints available for purchase. The Redlin Art Center would like to extend a special thank you to Terry Redlin and the Redlin family for making it possible for us to share some of these rare and collectible pieces of art.
Year Painted: 1984
Year Published: 1984
Selected Options
Material: Paper
Signed: Yes
Edition: Limited
Framed: No
Image Size: 25”×16”
Artist's proofs are additional prints not included in, but of the same quality as, the regular limited edition. In a print edition, artist's proofs are the first prints to come off of the printing press. Artist's proofs are distinguished by the abbreviation AP and are numbered separately; they often represent 10 percent of an edition and are slightly more expensive than prints in the regular edition. Artist Proofs are most often signed by the artist.
Certificate of Authenticity
Artist proof edition of 96 signed and numbered prints
We are pleased to share a very special opportunity with Terry Redlin fans and collectors. The Redlin family has made their personal collection of limited edition prints available to the Redlin Art Center. Ever since his very first print was released, Terry saved for his own archives, a print from each of his editions. In fact, sometimes, he would save a few so that he would have them for his children, too. Now, since he has officially retired, he and his family have decided to make some of these rare and special editions available to the public. These prints are numbered and hand-signed by Terry Redlin and are part of the original edition. They have never been sold, but have been carefully stored for safe keeping by the Redlin family. Today, as part of their ongoing support of the Redlin Art Center, they are making some of these prints available for purchase. The Redlin Art Center would like to extend a special thank you to Terry Redlin and the Redlin family for making it possible for us to share some of these rare and collectible pieces of art.
Year Painted: 1984
Year Published: 1984
Selected Options
Material: Paper
Signed: Yes
Edition: Artist Proof
Framed: No
Image Size: 25”×16”
Description
White-tailed Deer Browsing Through a Posted Area
Years:
Painted: 1984 Published: 1984
The deer are hesitating before venturing out of their deep woods sanctuary to cross the road. The sign informs us humans that there may be trouble on the other side, but curiosity is likely to prevail. In this serene atmosphere of autumn browns and oranges, sunlit faces and stands of white birch, we prefer to imagine that nothing could possibly happen to disturb the tranquility.
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