Prairie Monuments

$0.00

SKU: P-PRAIRIEMONUMENTS
Product
Price
432089

The Pinnacle Edition is a open edition print created by highlighting a portion of a larger Redlin image in a vertical format. Image size: 11-1/4″ x 20″

Prairie Monuments Vertical Print
$60.00
F701432089C

This print is custom framed for you and usually ships within 10 business days.

From the Pinnacle Collection> of vertical, open edition prints excerpted from previous Redlin releases.
Image size, 20-1/4″ x 11-1/2″.
Framed size 21-3/4″ x 30-1/2″ with 2-1/2″ Modena Vintage moulding. Double matting with khaki faux suede outer and brass name plate.

Prairie Morning Custom Framed Vertical
$330.00
119143089

A limited edition is a reproduction of an original work of art that is most often signed and numbered by the artist and the total number of prints is fixed or limited.

Certificate of Authenticity
Limited edition of 960 signed and numbered prints
We are pleased to share a very special opportunity with Terry Redlin fans and collectors. The Redlin family has made their personal collection of limited edition prints available to the Redlin Art Center. Ever since his very first print was released, Terry saved for his own archives, a print from each of his editions. In fact, sometimes, he would save a few so that he would have them for his children, too. Now, since he has officially retired, he and his family have decided to make some of these rare and special editions available to the public. These prints are numbered and hand-signed by Terry Redlin and are part of the original edition. They have never been sold, but have been carefully stored for safe keeping by the Redlin family. Today, as part of their ongoing support of the Redlin Art Center, they are making some of these prints available for purchase. The Redlin Art Center would like to extend a special thank you to Terry Redlin and the Redlin family for making it possible for us to share some of these rare and collectible pieces of art.

Year Painted: 1986

Year Published: 1986

Selected Options
Material: Paper

Signed: Yes

Edition: Limited

Framed: No

Image Size: 27”×17”

Prairie Monuments Limited Edition Unframed Print
$1,625.00
229143289

Artist's proofs are additional prints not included in, but of the same quality as, the regular limited edition. In a print edition, artist's proofs are the first prints to come off of the printing press. Artist's proofs are distinguished by the abbreviation AP and are numbered separately; they often represent 10 percent of an edition and are slightly more expensive than prints in the regular edition. Artist Proofs are most often signed by the artist.

Certificate of Authenticity
Artist proof edition of 96 signed and numbered prints
We are pleased to share a very special opportunity with Terry Redlin fans and collectors. The Redlin family has made their personal collection of limited edition prints available to the Redlin Art Center. Ever since his very first print was released, Terry saved for his own archives, a print from each of his editions. In fact, sometimes, he would save a few so that he would have them for his children, too. Now, since he has officially retired, he and his family have decided to make some of these rare and special editions available to the public. These prints are numbered and hand-signed by Terry Redlin and are part of the original edition. They have never been sold, but have been carefully stored for safe keeping by the Redlin family. Today, as part of their ongoing support of the Redlin Art Center, they are making some of these prints available for purchase. The Redlin Art Center would like to extend a special thank you to Terry Redlin and the Redlin family for making it possible for us to share some of these rare and collectible pieces of art.

Year Painted: 1986

Year Published: 1986

Selected Options
Material: Paper

Signed: Yes

Edition: Artist Proof

Framed: No

Image Size: 27”×17”

Prairie Monuments Artist Proof Unframed Print
$3,250.00

Description

Ring-necked Pheasants and the Midwest’s Prairie Skyline

Years:
Painted: 1986 Published: 1986

The deserted crossroads elevator was once at the center of a thriving farm community. It now stands mute, a victim of man’s progress. In the foreground freshly stacked hay bales seem to mock, in both form and substance, the abandoned elevator. Their presence indicates man still occupies the land, but with a new set of priorities. The only witnesses to this transition are the calmly feeding pheasants.

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